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Fez Embroidery: A Rich Tapestry of Tradition and Art (Part ii)

In the previous section, we examined two distinct yet visually similar embroidery styles from Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

— the aleuj and the terz_del_ghorza. Despite their apparent similarities, these styles possess unique characteristics that can be distinguished by experts in the field. Both are renowned for their intricate designs, yet subtle differences set them apart, underscoring the diversity within Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery traditions.

In this instalment, we will explore the final embroidery style, the Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

style satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape., alongside its use of metal thread and the significant contributions of the Jewish community to this artistic tradition.


Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

Style Satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. Stitch

A black and gold embroidered fabric

Description automatically generated

Close up of a statin stitch style metal thread embroidered cuff of a qaftan Qafṭān: (Persian: khaftān, Pl. qafāṭin, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, drā’ah, dishdāshah, jalābah, jallābīyah, kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ) loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, Embellished Velvet Robe, Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

 c. late 19
th – early 20th century; The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative Collections; Link


The Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

 satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. style offers a departure from the rigid geometry of the previous two styles, embracing more fluid and organic forms. 


Generally worked with silk floss Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. threads on a variety of fabric from linen to velvet and silk to cotton, the traditional form of this craft was also often monochromatic in nature. However, the change in forms and patterns were usually depicted by changing the direction of the stitches. A variant of this was also often seen with metal thread either gold or silver sometimes gilded. 

This technique to create floral motifs, vines, and arabesques that are more flowing and naturalistic in appearance. Unlike the aleuj and terz_del_ghorza, which rely heavily on geometry, Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

 satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. embroidery allows for greater artistic expression, with each stitch contributing to the overall fluidity of the design.


The use of luxurious textiles and rich and colourful thread along with its fluid nature makes this style a popular choice for ceremonial garments and decorative textiles. 


The Use of Metal Thread Embroidery

The use of metal thread, particularly gold, in embroidery holds a significant place within Moroccan society, symbolizing wealth, prestige, and opulence. This luxurious technique, while practiced across various regions, is most famously associated with Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

. Despite its widespread use, the methods employed for gold thread embroidery have remained largely unchanged since the early 20th century. Typically applied to rich fabrics such as velvet or leather, the production and craftsmanship of gold thread embroidery were historically concentrated within the Jewish quarters, known as the mellah.


Two primary techniques are associated with metal thread embroidery from Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

: satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. and couching

Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn

. In the couching

Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn

method, linen threads are used to secure the metal threads in place. This linen, locally referred to as hit_susi, was imported from Sousse, Tunisia. The combination of gold thread with luxurious materials like silk or satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. elevated these textiles to the highest levels of opulence, particularly within royal courts and elite circles. Gold thread was used to adorn garments such as the qaftan Qafṭān: (Persian: khaftān, Pl. qafāṭin, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, drā’ah, dishdāshah, jalābah, jallābīyah, kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ) loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, ceremonial belts known as hizām, and other formal attire.


The gold thread, called squelli, played a key role in these luxurious pieces. The term squelli is derived from the Arabic name for Sicily, the Italian region from which the gold thread was historically imported. Its name was often incorporated into descriptions of the garment, signifying the prestige associated with using this material.



A vest with a pink lining

Description automatically generated

A purple velvet waistcoat (farmla) embroidered with metal thread in couching

Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn

style, Embellished velvet jacket, Moroccoc. late 19
th – early 20th century; The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative Collections; Link



The process of metal thread embroidery requires not only a high degree of artistic skill but also an in-depth knowledge of the materials used. Patterns are typically drawn onto the base fabric by male artisans and then passed to female embroiderers for execution. The satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. method used in metal thread embroidery in Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

resembles the Ottoman dival Dīval: (Possibly Persian: divan – throne), an embroidery technique prominent during the Ottoman era done with metal threads or wire with a cardboard base usually over velvet. The motif is cut out on a cardboard and the metal thread is then embroidered over it using satin_stitch and gimped couching style embroidery. technique. In this process, hard boards or leather pieces are cut to match the patterns on the fabric, which are then overlaid and covered with metal thread.


Luxurious fabrics, especially velvet, were commonly used as the base for metal thread embroidery, particularly in rich, dark colours such as black, burgundy, dark green, blue, and violet. This technique was traditionally employed in adorning accessories like belts and slippers, as well as boys' circumcision garments.


However, by the 19th century, velvet garments with metal thread embroidery became popular ceremonial attire among Moroccan women. So significant was this style that even today, the velvet qaftan_ntaa’ remains a prized garment in a bride's wedding trousseau, reflecting the lasting influence of metal thread embroidery in Moroccan culture.

A black and gold robe with gold embroidery

Description automatically generated

A black velvet qaftan Qafṭān: (Persian: khaftān, Pl. qafāṭin, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, drā’ah, dishdāshah, jalābah, jallābīyah, kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ) loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening. Each Arab region has a different term for what is essentially a similar garment with various small differences.
ntaa’ embroidered with metal thread in satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. stitch style, Embellished Velvet Robe, Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

 c. late 19
th – early 20th century; The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative Collections; Link


The Influence and Involvement of the Jewish Community

The Jewish community in Morocco, particularly in Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

, played a crucial role in the development and preservation of embroidery techniques. For centuries, Jewish artisans were highly skilled in textile production, embroidery, and gold thread work, contributing significantly to the city’s artistic legacy. Jewish women were particularly active in practicing and passing down embroidery techniques, often creating elaborate pieces for both Jewish and Muslim clients.


The involvement of the Jewish community in Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery is especially evident in the use of gold thread and the complex geometric patterns that characterize the art form. Jewish artisans were known for their attention to detail and their ability to work with fine materials, including silk and gold, producing some of the most exquisite examples of Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery.


Jewish influence extended beyond technique to the designs themselves, with many motifs and patterns reflecting shared cultural symbols and aesthetics. The interplay between Muslim and Jewish communities in Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

contributed to the richness and diversity of Moroccan textile art.


Conclusion

Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery remains a vital part of Morocco’s cultural heritage, representing centuries of artistic achievement and craftsmanship. Its various styles—from the geometric precision of aleuj and terz_del_ghorza to the more fluid and ornate Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

 satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape.—reflect the diversity and complexity of this art form. The use of metal thread embroidery in gold and silver further elevates its status as a luxury craft, symbolizing wealth and prestige. Additionally, the Jewish community’s involvement in the development and perpetuation of Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery underscores the importance of cultural collaboration in shaping Morocco’s artistic identity.


As Fez

Fez: (Ottoman Turkish: fes

Fes: (synonyms: tarboush, tarbooch, tarboosh, tarbush, chachia, chechia, fez), generally red cylindrical men's felt cap with tassel. Also known as Fez after the city famous for its production in Morocco. The term is also used to denote the tassel, a bundle of suspended threads.
boyası - madder to Arabic Fez – Moroccan city; Synonym: tarboush), a type of traditional skull cap with a high crown. With a possible Mediterranean origin, this headwear gained popularity in the late Ottoman period and was named after the Moroccan city where the dye was extracted.

embroidery continues to be celebrated and preserved, it stands not only as a testament to Morocco’s rich artistic tradition but also as a living expression of the country’s complex cultural history.

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