Striped silk embroidered waistcoat – Türkiye

Object Note
Part of an ensemble with two other pieces also part of the collection (ZI2020.500641a ASIA, ZI2020.500641b ASIA).
 
Object History 
This piece of garment was purchased by Dr. Reem Tariq El Mutwalli Dr. Reem Tariq el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage. as a set of ensembles from an independent dealer, in Istanbul in 2020 to add to and enhance The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative Collection.
 
Object Features 
This is a (crimson Crimson: (Persian/Arabic and Turkish: qirmiz or kirmiz – red), is a vivid red color originally made from the dried bodies of a scale insect of the Kermes genus native to the Mediterranean region and was used as a dye for clothing and textiles.) red and ivory vertical striped silk waistcoat with metal–gold–thread (sirma Sirma: (Byzantine Greek: súrma – a dragging motion, from Ancient Greek: súrō – to draw; Synonym: Tel_sirma Tel_sirma: (Ottoman Turkish: tel – wire, thread, chord; Byzantine Greek: súrma – a dragging motion from Ancient Greek: súrō – to draw; Synonym: Sirma), a metal lace or thread traditionally made of silver or gold and sometimes even copper often used textile embellishments such as embroidery and weaves like brocades. ), a metal lace or thread traditionally made of silver or gold and sometimes even copper often used textile embellishments such as embroidery and weaves like brocades. )/(tel_sirma Tel_sirma: (Ottoman Turkish: tel – wire, thread, chord; Byzantine Greek: súrma – a dragging motion from Ancient Greek: súrō – to draw; Synonym: Sirma), a metal lace or thread traditionally made of silver or gold and sometimes even copper often used textile embellishments such as embroidery and weaves like brocades. ) embroidered embellishment.
The field of the jacket is constructed of silk and cotton stripe patterned woven (çitari) fabric. A front open waistcoat, the front panels of the yoke Yoke: (Synonym: Bodice_Yoke), a structured pattern fitted at the shoulders defining the structure of women’s garments. Introduced in c. 1880s it defines the transition between the upper and lower parts of the garments and can now be found stitched-in where the blouse is separated from the skirt by a horizontal seam.  are embroidered using gold sirma Sirma: (Byzantine Greek: súrma – a dragging motion, from Ancient Greek: súrō – to draw; Synonym: Tel_sirma Tel_sirma: (Ottoman Turkish: tel – wire, thread, chord; Byzantine Greek: súrma – a dragging motion from Ancient Greek: súrō – to draw; Synonym: Sirma), a metal lace or thread traditionally made of silver or gold and sometimes even copper often used textile embellishments such as embroidery and weaves like brocades. ), a metal lace or thread traditionally made of silver or gold and sometimes even copper often used textile embellishments such as embroidery and weaves like brocades.  in (couching

Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn

) style featuring loops and waves to form floral and geometric patterns.
A similar design reflects on the cuffs and around the front neckline of the piece too. The sleeves are tapered with pleats at the cuffs and have metal snap tabs for a fitted form around the wrists.
The design around the neckline is placed along the collar bones of the wearer which extends diagonally inwards like embroidered lapels. The piece is lined with ivory cotton fabric.
Prior to the widespread acceptance of European clothing in the Ottoman Empire, individuals – men and women – residing in urban areas, regardless of their faith or social standing, typically adorned themselves with three primary articles of clothing.
These included a calf-length cotton undershirt or (gömlek Gömlek: (Proto-Turkic: köyŋelek – Shirt; Azerbaijani: köynək – Shirt; Turkmen: koynek­ – long loose tunic dress), a traditional calf-length sleeved undershirt or tunic generally made of a plain white cotton, silk, or linen fabric, some more lightweight than others, worn by both Ottoman men and women of all communities throughout the empire. ), featuring long sleeves, which was worn over a pair of loose trousers known as (shalvar shalvār: in Farsi, in the Emirati colloquial: ṣarwāl. In the Levantine colloquial: Shirwāl. Plural: sarāwīl, ṣarāwīl, sharāwīl, ṣarwīlāt). It is loose pants at the waist with folds, and narrow at the ankles. It is tied with a rope at the waist.). Additionally, they would wear a long-sleeved robe called an entari Entāri: (Turkish; Synonym: Antari), a traditional Turkish long jacket-like unisex garment worn during the Ottoman era. It often featured an open front with long sleeves and was worn over an undershirt and a pair of trousers and was sometimes layered by a short waist or hip-length jacket. , reaching the ankles or floor.
Additional layers were added as necessary, based on weather conditions, social occasions, and social status. These layers encompassed items such as waistcoats (cepken Cepken: (Tartar: çepken – Outerwear; Synonyms: Shepken, Chekman, Chikmyan and other analogues in various Turkic languages with varied interpretations), short waist-length jacket traditionally worn by both Ottoman men and women throughout the empire. It usually featured full sleeves, elaborate embroidery, and a short stiff collar with front fastenings.  ), short jackets (yelek Yelek: (Old Anatolian: yélek – Vest; Synonyms: Jelick Jelick: (Old Anatolian: yélek – Vest; Synonyms: Yelek, Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. , Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ) or (jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), extra entari Entāri: (Turkish; Synonym: Antari), a traditional Turkish long jacket-like unisex garment worn during the Ottoman era. It often featured an open front with long sleeves and was worn over an undershirt and a pair of trousers and was sometimes layered by a short waist or hip-length jacket. , as well as coats of various sizes and lengths.
Belts adorned with elaborate embroidery and ornate buckles, or just embroidered sashes as (cummerbund Cummerbund: (Anglicized from Hindustani: kamarband kamarband: (Persian: kamarband – a waistband or sash tied around the waist, synonym: cummerbund), a broad sash worn around the waist by men. In the 17th century, the British Indian Army adopted this style from the Indian sepoys and made it a part of the English lexicon. from Persian: kamarband kamarband: (Persian: kamarband – a waistband or sash tied around the waist, synonym: cummerbund), a broad sash worn around the waist by men. In the 17th century, the British Indian Army adopted this style from the Indian sepoys and made it a part of the English lexicon. – a waistband or sash tied around the waist), a broad sash worn around the waist by men. In the 17th century the British Indian Army adopted this style from the Indian sepoys and made it a part of the English lexicon. ) were utilised to accentuate the bust, waist, and hips, creating a defined silhouette.
Although, the entari Entāri: (Turkish; Synonym: Antari), a traditional Turkish long jacket-like unisex garment worn during the Ottoman era. It often featured an open front with long sleeves and was worn over an undershirt and a pair of trousers and was sometimes layered by a short waist or hip-length jacket.  was common throughout the Ottoman Empire, layering with a cepken Cepken: (Tartar: çepken – Outerwear; Synonyms: Shepken, Chekman, Chikmyan and other analogues in various Turkic languages with varied interpretations), short waist-length jacket traditionally worn by both Ottoman men and women throughout the empire. It usually featured full sleeves, elaborate embroidery, and a short stiff collar with front fastenings.   and a yelek Yelek: (Old Anatolian: yélek – Vest; Synonyms: Jelick Jelick: (Old Anatolian: yélek – Vest; Synonyms: Yelek, Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. , Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek.  over a gömlek Gömlek: (Proto-Turkic: köyŋelek – Shirt; Azerbaijani: köynək – Shirt; Turkmen: koynek­ – long loose tunic dress), a traditional calf-length sleeved undershirt or tunic generally made of a plain white cotton, silk, or linen fabric, some more lightweight than others, worn by both Ottoman men and women of all communities throughout the empire.  and a pair of loose shalvar shalvār: in Farsi, in the Emirati colloquial: ṣarwāl. In the Levantine colloquial: Shirwāl. Plural: sarāwīl, ṣarāwīl, sharāwīl, ṣarwīlāt). It is loose pants at the waist with folds, and narrow at the ankles. It is tied with a rope at the waist. was most common in the Balkan regions, an influence that widely spread through the rest of the Ottoman Empire and was especially popular in c. late 19th and early 20th centuries in the north-western provinces such as the Marmara region in present-day Türkiye, as it had a significant Balkan population.
 
More Info
The intriguing history of çitari fabric unfolds within the Turkish diaspora during the 18th-century Ottoman era when other various novel fabrics gained prominence.
Distinguished by its unique attributes, this fabric features slender, parallel vertical stripes in contrasting colours, reminiscent of the strings of a musical instrument called the çitar.
Composed of tightly woven silk (warp Warp: One of the two basic components used in weaving which transforms thread or yarns to a piece of fabric. The warp is the set of yarns stretched longitudinally in place on a loom before the weft Weft: one of the two basic components used in weaving that transforms thread or yarns into a piece of fabric. It is the crosswise thread on a loom that is passed over and under the warp threads. is introduced during the weaving process. ) and cotton (weft Weft: one of the two basic components used in weaving that transforms thread or yarns into a piece of fabric. It is the crosswise thread on a loom that is passed over and under the warp threads.) yarns, the çitari fabric stands apart from other striped textiles due to its specific weaving technique, coloured warp Warp: One of the two basic components used in weaving which transforms thread or yarns to a piece of fabric. The warp is the set of yarns stretched longitudinally in place on a loom before the weft Weft: one of the two basic components used in weaving that transforms thread or yarns into a piece of fabric. It is the crosswise thread on a loom that is passed over and under the warp threads. is introduced during the weaving process.  patterns, choice of raw materials, and superior craftsmanship.
Notably, regions such as Bursa, Gaziantep, Istanbul, Tunceli, Diyarbakir, Tokat, Antalya, Harput, Yalvaç, Izmir, and Denizli were renowned for their exquisite çitari weaves during this period. Such was the fabric's popularity that it even led to the importation of çitari from India and Damascus.
As such The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative has in its possession pieces that were constructed of similar fabric that were sourced from the Levant region of the Arab world, especially Palestine and Syria. One such piece worth mentioning is a tunic dress from Palestine (ZI1998.500922 PALESTINE).