Object Note Part of an ensemble along with a sash or waistband (
ZI2018.500744.1a ASIA).
Object History This vibrant red (
kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. ) robe was purchased by
Dr. Reem Tariq
Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.
El Mutwalli
Dr. Reem Tariq
Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.
el Mutwallī: Founder (CEO) of the Zay
Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage. in 2018 from Kerry Taylor Auctions, London, to enhance the collection of The
Zay
Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative. It is part of an ensemble with a sash (
ZI2018.500744.1a ASIA) that was made in Japan c. 1910 for the European market.
Object Features This is a beautiful scarlet red silk kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. robe in (satin
Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk.) weave embellished with floral and bird motifs in (satin_stitch
Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape.) embroidery with silk floss
Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. threads in a variety of colours. This piece is a (houmongi_kimono
Houmongi_kimono: (Japanese: visiting wear), is a type of a semi formal kimono worn by both married and unmarried women. It is characterised by its elegant colours and painting style design that wraps itself around the wearer. ) style calf-length kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. made for the European market and has a wide waistband.With a scarlet red
satin
Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. background, the field of this piece is embellished with
satin
Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. stitched embroidery in double layers depicting an idyllic landscape with flora and fauna.
The landscape depicts a waterside scene with two cranes embroidered in shades of grey and ivory, willowy bamboo shrubs and irises emerging from the waterbody in shades of beige with blue, lavender, and pale pink, and low hanging wisteria vines and branches in shades of beige with lavender blooms. In Japanese culture, cranes symbolize honour, good fortune, and loyalty and are also believed to mate for a lifetime and live a thousand years, while wisteria symbolizes love and longevity, purple iris symbolizes wisdom and blue symbolizes hope and faith.
The double-layer embroidery renders a relief-like or raised surface almost like another
kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. style robe –
ZI2017.500485 ASIA – in the collection. However, both the layers of embroidery in this piece are done with silk
floss
Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. thread, unlike the aforementioned piece which has cotton threads as its base layer. This reduces the thickness of the raised patterns. The piece is completely lined with a plain scarlet
satin
Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. fabric and fastened around the waist with an embellished waistband.
While the origin of certain techniques and methods in textiles like
satin_stitch
Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. embroidery can be traced to China, and its spread across the world could be attributed to the Silk Road, other similar techniques and styles are believed to have originated independently in different regions of the world almost simultaneously in human history possibly from necessity and convenience.
Though The
Zay
Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative is concerned mainly with the dress and adornment heritage of the Arab world, it does include in its collection articles from areas outside the region. These tend to be collected to illustrate specific shared elements and influences attesting that the Arab world never existed in a vacuum. It constantly drew, and continues to draw, inspiration and influences from the cultures it comes in contact with be it through trade or geopolitical circumstances, especially those countries within the old silk route.
Therefore, one cannot but draw parallels between many techniques used in such garments, such as (
couching
Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn
) and thread knotting techniques (
macrame
Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.Macrame
Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.: makrəˌmā: (Arabic: karam: tree with dangling grapes), ornamental fringe. The art of knotting cord or string in patterns to make decorative articles. Earliest recorded uses of macramé-style knots as decoration appeared in Babylonian and Assyrian carvings.), or flat metal adornment (
talli
Tallī: (Turkish: tel – wire, string), Gulf Arab – a woven braided trimming made with metal wire, threads and ribbons often sewn on detachable panels used as embellishments. Other – (Synonym: tulle_bi_talli
Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi
Khus_dozi: (Persian: Khvosh – an Iranian province; dozi – needlework; Synonym: tariq; talli; tulle_bi_talli; badla), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in Iran and parts of the Arabian Peninsula possibly because Khvosh was one of the centres for the craft.
), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt.
; tariq; badla; khus_dozi
Khus_dozi: (Persian: Khvosh – an Iranian province; dozi – needlework; Synonym: tariq; talli; tulle_bi_talli; badla), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in Iran and parts of the Arabian Peninsula possibly because Khvosh was one of the centres for the craft.
), series of small metal knots made on a woven net ground as embellishment.
), that are quite similar to those found in different parts of the Arab region.
The
kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. , in particular, displays similarities that can be drawn with the pattern of Arab women’s overgarment or the (
thawb
Thawb: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thobe
Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe
Tobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe
Tobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region. ), common to the Gulf region, constructed of three uncut panels of broad clothes forming the central body panel and the side sleeve panels very similar in shape to the
kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. .
Links
- Morishima, Yuki, et al. Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. Refashioned: Japan’s Impact on International Fashion. USA, Asian Art Museum, 2018.
- Kahlenberg, Mary Hunt. Asian Costumes and Textiles: From the Bosphorus to Fujiama. Italy, Skira, 2001.
- Liddell, Jill. The Story of the Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. . USA, E P Dutton, 1989.
- Dalby, Liza Crihfield. Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture. Reaktion Books, 1993.
- Gluckman, Dale Carolyn and Sharon Sadako Takeda. When Art Became Fashion: Kosode
Kosode: (Japanese: small sleeve or opening), a traditional Japanese inner robe for both genders. Similar to a kimono but with a wider body, longer collars, and narrower and rounded sleeves, often stitched to the body, these under robes were lavishly decorated and were worn on top from late 16th century. in Edo-Period Japan. Los Angeles County Museum of Art, 1996.
- Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Kyoto to Catwalk. 27 Aug. – 25 Oct. 2020, V&A South Kensington, London https://www.vam.ac.uk/exhibitions/kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. -kyoto-to-catwalk
- Gluckman, Dale Carolyn. “Liza Dalby. Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture.:Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture.” Museum Anthropology, vol. 19, no. 1, Mar. 1995, pp. 79–81. Crossref, https://doi.org/10.1525/mua.1995.19.1.79
- “Meisen Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. From HALI 184 - HALI.” HALI, 24 July 2015, hali.com/news/meisen-kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. .
- Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. Style: Edo Traditions to Modern Design: The John C. Weber Collection. USA, Met Publications, www.metmuseum.org/art/metpublications/Kimono_Style
- Richard, Naomi Noble. “Nō Motifs in the Decoration of a Mid-Edo Period Kosode
Kosode: (Japanese: small sleeve or opening), a traditional Japanese inner robe for both genders. Similar to a kimono but with a wider body, longer collars, and narrower and rounded sleeves, often stitched to the body, these under robes were lavishly decorated and were worn on top from late 16th century. .” Metropolitan Museum Journal, vol. 25, 1990, pp. 175–83. JSTOR, https://doi.org/10.2307/1512899. Accessed 10 May 2023.
- Kramer, Elizabeth. “Review of ‘Kimono
Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : A Modern History.’” Reviews in History, School of Advanced Study, 2015. Crossref, https://doi.org/10.14296/rih/2014/1787.
