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Embellished silk tunic robe – Iraq

Back
Local NameHashmi, Thawb
Object CategoryOvergarment    
GenderFemale    
Date of objectc. 20th century
Place Of orginIraq
RegionIraq
Object Range-
DimensionsLength: 140 cm Width: 122 cm
MaterialsSilk    Other    
TechniqueMachine Stitched    Hand Embroidered    
Color
MotifFloral    
ProvenanceGifted, Firyal Killidar, Iraq 1996
LocationThe Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative
StatusIn Storage
ZI numberZI1996.500890.2 IRAQ

Object Note  

Part of a lot with two more items (ZI1996.500890.1 IRAQ, ZI1996.500890.3 IRAQ) also in the collection.  


Object History 

This piece was gifted to Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage.
by Ms Firyal Killgdar in 1996. Originally attributed to the designers at the Iraqi House of Fashion, the piece was eventually added to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative collection to enhance and enrich it. 

Iraqi Fashion House (Dar al Aziya’ al Iraqiyah) was established by H.E. Friyal Al Kilidar in 1970 and remained under her directorship until 2005. It was the first and only one of its kind that aimed to display folkloric Iraqi costumes depicting the history of Iraq by reinterpreting the costumes of the people who inhabited the land and the nation states that were formed, dating from ancient Mesopotamia to the present. It also aimed to display the latest local and international fashion trends and showcase the collective Iraqi artists, calligraphers, poets, and designers.  

Unfortunately, after the second Gulf War, it was plundered and looted to be rebuilt and reopened as the Iraqi House of Fashion in 2005, with new aspirations and directives. As for its founder and former director, Friyal Al Kilidar, she currently resides in the United States. 


Object Features  

This is a traditional Iraqi style woman’s tunic robe (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ), often locally referred to as the (hashmi

Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.

). It features elaborate embroidered patterns, a closed round neckline, and wide sleeves. 

The hashmi

Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.

features golden coloured lurex and plastic sequin embellishment in floral and foliage patterns executed primarily in (satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape.) style embroidery. While the lurex emulates and replaces the traditional metal thread (kalabdun

Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.

), the ivory plastic sequins possibly emulate the mother-of-pearl style embellishments.  

While the neckline and the seamlines of the hashmi

Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.

are embellished with a single panel of overlapped sequins on both front and back, the (yoke Yoke: (Synonym: Bodice_Yoke), a structured pattern fitted at the shoulders defining the structure of women’s garments. Introduced in c. 1880s it defines the transition between the upper and lower parts of the garments and can now be found stitched-in where the blouse is separated from the skirt by a horizontal seam. ) of the piece displays three panels filled with embroidered floral and foliage patterns along thin wavy vines. The vines and the foliage are executed with satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. embroidered metallic lurex, and the floral patterns are produced with flower-shaped plastic sequins.  

This floral arrangement continues across the two shoulders, the triangular sleeve gussets, and near the front fall. The back of the yoke Yoke: (Synonym: Bodice_Yoke), a structured pattern fitted at the shoulders defining the structure of women’s garments. Introduced in c. 1880s it defines the transition between the upper and lower parts of the garments and can now be found stitched-in where the blouse is separated from the skirt by a horizontal seam.  features a similar style of design pattern as the front; however, instead of three panels, it has two overlapping rhomboidal panels arranged vertically.  

The piece is thoroughly machine-stitched as well as machine-embroidered and features a blue (satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk.) silk lining. 

Although worn and used in Iraq by an Iraqi family and styled into a typical traditional Arab garment, it could have been crafted in India, as was the traditional practice. Usually, fabric such as this was often crafted and designed in the subcontinent for the Arab market for tailoring women’s garments such as these.  


Links 

  • Zieme, Peter. Silk and Wad in Old Turkish Terminology. - Turkdilleri.Org, www.turkdilleri.org/turkdilleri/sayilar/tda7/PZieme.pdf 
  • Vogelsang-Eastwood, Gillian. Encyclopedia of Embroidery from the Arab World. Bloomsbury Academic, 2016. 
  • Stillman, Yedida Kalfon, and Norman A. Stillman. Arab Dress: From the Dawn of Islam to Modern Times. Brill, 2003. 
  • Scarce, Jennifer. Womens Costume of the near and the Middle East. RoutledgeCurzon, 2003. 
  • Rubens, Alfred. A History of Jewish Costume. 1981. 
  • “Clothing And Fashion, Middle East" Encyclopedia of Western Colonialism since 1450. . Encyclopedia.Com. 8 Jan. 2024 .” Encyclopedia.Com, Encyclopedia.com, 29 Jan. 2024, www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/clothing-and-fashion-middle-east. 
  • Baghdad, 10th Century the Dress of a Non-Muslim Woman, sayyidajahanara.files.wordpress.com/2017/11/baghdad-costume.pdf. Accessed 29 Jan. 2024. 
  • A Charuga

    Charuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.  

    from Northern Iraq Has Arrived at the TRC!
    , www.trc-leiden.nl/trc/index.php/en/blog/1378-the-charuga

    Charuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.  

    -from-northern-iraq-has-arrvied-at-the-trc. Accessed 29 Jan. 2024. 
  • “Clothing.” Kurdish Central, 18 Nov. 2021, kurdishcentral.org/clothing/. 
  • Foundation, Encyclopaedia Iranica. “Clothing of the Kurdish Jews.” Encyclopaedia Iranica, iranicaonline.org/articles/clothing-xvii. Accessed 29 Jan. 2024. 
  • “Learn about Kurdish Dress.” The Kurdish Project, 2 Aug. 2016, thekurdishproject.org/history-and-culture/kurdish-culture/kurdish-dress/. 

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