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| Local Name | ‘Abayah, ‘Aba |
| Object Category | Overgarment |
| Gender | Female |
| Date of object | c. 20th century |
| Place Of orgin | Iraq |
| Region | Iraq |
| Object Range | Syria, Jordan, Lebanon, Egypt, Palestine, Iraq, Saudi Arabia, Bahrain, UAE, Kuwait, Yemen et al |
| Dimensions | Length: 145 cm Width: 145 cm |
| Materials | Silk Other Metal |
| Technique | Machine Stitched Hand Embroidered Woven |
| Color | |
| Provenance | Gifted, Firyal Killidar, Iraq 1996 |
| Location | The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative |
| Status | In Storage |
| ZI number | ZI1996.500890.3 IRAQ |
Object Note
Part of a lot with two more items (ZI1996.500890.1 IRAQ, ZI1996.500890.2 IRAQ) also in the collection.
Object History
This piece was gifted to Dr. Reem Tariq
Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon. Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.
Iraqi Fashion House (Dar al Aziya’ al Iraqiyah) was established by H.E. Friyal Al Kilidar in 1970 and remained under her directorship until 2005. It was the first and only one of its kind that aimed to display folkloric Iraqi costumes depicting the history of Iraq by reinterpreting the costumes of the people who inhabited the land and the nation states that were formed, dating from ancient Mesopotamia to the present. It also aimed to display the latest local and international fashion trends and showcase the collective Iraqi artists, calligraphers, poets, and designers.
Unfortunately, after the second Gulf War, it was plundered and looted to be rebuilt and reopened as the Iraqi House of Fashion in 2005, with new aspirations and directives. As for its founder and former director, Friyal Al Kilidar, she currently resides in the United States.
Object Features
This is a closed-front women’s cloak (‘abayah
‘Abāyah: (Arabic: cloak, Pl. ‘abāyāt, or ‘Ibī. In Classical Arabic: ‘abā’ah, pl: ‘abā’āt, synonyms: ‘Abā, ‘abāh, ‘abāt, dafah
Daffah : (Arabic: side, synonyms: ‘Abā, ‘abāyah, ‘abāh, ‘abāt, bisht or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function., bisht, or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function.) constructed of fine silk chiffon woven with metal thread (kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.
The ‘abayah ‘Abāyah: (Arabic: cloak, Pl. ‘abāyāt, or ‘Ibī. In Classical Arabic: ‘abā’ah, pl: ‘abā’āt, synonyms: ‘Abā, ‘abāh, ‘abāt, dafah Daffah : (Arabic: side, synonyms: ‘Abā, ‘abāyah, ‘abāh, ‘abāt, bisht or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function., bisht, or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function. is essentially constructed of five panels of the same fabric stitched to each other vertically. This is unlike a traditional men’s ‘abayah ‘Abāyah: (Arabic: cloak, Pl. ‘abāyāt, or ‘Ibī. In Classical Arabic: ‘abā’ah, pl: ‘abā’āt, synonyms: ‘Abā, ‘abāh, ‘abāt, dafah Daffah : (Arabic: side, synonyms: ‘Abā, ‘abāyah, ‘abāh, ‘abāt, bisht or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function., bisht, or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function. where two identical fabric panels were often stitched to each other horizontally along the (weft Weft: one of the two basic components used in weaving that transforms thread or yarns into a piece of fabric. It is the crosswise thread on a loom that is passed over and under the warp threads.) following which the two (warp Warp: One of the two basic components used in weaving which transforms thread or yarns to a piece of fabric. The warp is the set of yarns stretched longitudinally in place on a loom before the weft Weft: one of the two basic components used in weaving that transforms thread or yarns into a piece of fabric. It is the crosswise thread on a loom that is passed over and under the warp threads. is introduced during the weaving process. ) ends are then folded and brought to the middle, and then stitched on the top along the (selvedge Selvedge: (English: Self-finished edge or self-edge: a dialect forming transition), an edge produced on woven fabric during manufacture that prevents it from unravelling. Traditionally the term selvage applied to only loom woven fabric, presently it could be applied to flat knitted fabric too. ), thus giving it a structure of a square shaped front open garment.
This example is constructed of five similar panels of woven silk chiffon with repeats of thin lines in silver kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.
The front of the piece has a small V-shaped neckline with coiled gold kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics. Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn Herringbone_stitch: a decorative stitch that creates a V-shaped pattern, resembling fish bones. It's commonly used in embroidery, sewing, and quilting to join fabrics or for decorative detailing. The stitch is worked diagonally and often gives a clean, attractive finish. Frog_fastener: (Synonym: Chinese frog closure, frog closure), is a decorative and functional type of button used to fasten clothing. Said to have originated between c. 5th to 7th century China these buttons consist of a cord or braid looped through a decorative knot.
While one side displays the buttons, the other side features an equal number of loops constructed of gold kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.
The neckline is flanked on either side by a wide panel of embellished rows running vertically parallel to one another. These rows feature pink silk floss
Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. thread, gold kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics. Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn Herringbone_stitch: a decorative stitch that creates a V-shaped pattern, resembling fish bones. It's commonly used in embroidery, sewing, and quilting to join fabrics or for decorative detailing. The stitch is worked diagonally and often gives a clean, attractive finish.
While at the end of each of these wide panels as well as the sleeve opening, rests a long-braided gold tassel (‘amayil / balabil), the front seamlines and the sleeve hems are trimmed with herringbone_stitch
Herringbone_stitch: a decorative stitch that creates a V-shaped pattern, resembling fish bones. It's commonly used in embroidery, sewing, and quilting to join fabrics or for decorative detailing. The stitch is worked diagonally and often gives a clean, attractive finish. Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.
Interestingly, this item is a stylized modern take on the traditional garments created by the fusion of the ‘abayah
‘Abāyah: (Arabic: cloak, Pl. ‘abāyāt, or ‘Ibī. In Classical Arabic: ‘abā’ah, pl: ‘abā’āt, synonyms: ‘Abā, ‘abāh, ‘abāt, dafah
Daffah : (Arabic: side, synonyms: ‘Abā, ‘abāyah, ‘abāh, ‘abāt, bisht or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function., bisht, or mishlaḥ), long, wide, and sleeveless outer cloak worn in public by both sexes. In time this article of dress evolved and changed in shape, style, and function. with the hashmi
Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.
Links
Charuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.
from Northern Iraq Has Arrived at the TRC!, www.trc-leiden.nl/trc/index.php/en/blog/1378-the-charugaCharuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.
-from-northern-iraq-has-arrvied-at-the-trc. Accessed 29 Jan. 2024.