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Metal embellished silk brocade jacket – Iraq

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Local NameSayah
Object CategoryOvergarment    
GenderFemale    
Place Of orginAsia
RegionIraq
Object RangeTürkiye, Syria, Iraq, Lebanon, Kuwait, Palestine, Jordan, Saudi Arabia, Egypt, Sudan, Cyprus, Bulgaria, Romania, Moldova, Greece, North Macedonia, Croatia, Serbia, Bosnia Herzegovina, Kosovo, Armenia, Azerbaijan, Georgia, et al.
DimensionsLength: cm Width: cm
MaterialsSilk    Wool    Metal    
TechniqueMachine Embroidered    Machine Stitched    
MotifFloral    
ProvenanceGifted, Buthaina Al Kadi, Iraq 2018
LocationThe Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative
StatusIn Storage
ZI numberZI2018.500576 IRAQ
Object History 
This piece of garment was a gift to Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli
Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage.
from her mother Buthaina Al Kadi. It was eventually added to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative Collection in 2018 to further enhance it.
Buthaina Al Kadi was born in Baghdad in 1936, where she attained a diploma in Education, following which she accompanied her husband Dr. Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli on his diplomatic missions to Türkiye and the United States.
They finally settled in Al Ain, UAE in 1968, where her husband Dr. Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli was appointed the economic consultant to the then crown prince the late Sheikh Khalifa bin Zayed Al Nahyan by his father the late Sheikh Zayed bin Sultan Al Nahyan, founding father and first president of the UAE.
Meanwhile, Buthaina was appointed as a head mistress to a number of the newly opening girl’s schools in both Al Ain and Abu Dhabi, after the Union of 1972.
They subsequently moved to Abu Dhabi in 1970 and since then the family has called the UAE their home forging intimate and lifetime relationships with the ruling family.
 
Object Features 
This is an ivory silk brocade Brocade: (Italian: brocco – twisted thread), is a richly decorative fabric woven with an intricate raised pattern. Its origins can be traced back to ancient China, where it was made for the imperial court. It later spread to Europe during the Renaissance and became popular in couture and decorative arts.  traditional Iraqi women’s jacket (sayah

Ṣāyah: (Classical Persian: sāya – shadow; Synonyms: zubūn, qumbāz, gombaz

Gombaz: (Arabic; Synonyms: sayah, zubūn, qumbāz, yalak

Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant.

),  also pronounced ‘umbaz or ‘imbaz is a long front open, unlined, lightweight silk traditional cloak either with quarter or no sleeves fastened at the waist often worn by both men and women in the Levant, Fertile Crescent, and Najd regions. 

, yalak

Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant.

), long front open, unlined, lightweight silk traditional cloak with quarter or no sleeves fastened at the waist often worn by men and women in the Levant, Fertile Crescent, and Najd regions.

) with long sleeves and a short collar. The piece is a front-open garment without any fastening.
The field of the sayah

Ṣāyah: (Classical Persian: sāya – shadow; Synonyms: zubūn, qumbāz, gombaz

Gombaz: (Arabic; Synonyms: sayah, zubūn, qumbāz, yalak

Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant.

),  also pronounced ‘umbaz or ‘imbaz is a long front open, unlined, lightweight silk traditional cloak either with quarter or no sleeves fastened at the waist often worn by both men and women in the Levant, Fertile Crescent, and Najd regions. 

, yalak

Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant.

), long front open, unlined, lightweight silk traditional cloak with quarter or no sleeves fastened at the waist often worn by men and women in the Levant, Fertile Crescent, and Najd regions.

is constructed from a brocade Brocade: (Italian: brocco – twisted thread), is a richly decorative fabric woven with an intricate raised pattern. Its origins can be traced back to ancient China, where it was made for the imperial court. It later spread to Europe during the Renaissance and became popular in couture and decorative arts.  fabric with metal and silk of (satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk.) weave. It has woven floral designs in metallic threads – possibly silver – running vertically down the field of the garment. Rows of similar motifs are repeated with vertical lines also woven in metal threads separating the rows.
A crocheted lace constructed of twisted silk floss Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. in two different shades of brown and metal threads (kalabbdun), was added by Dr. Reem, as a design element and bonding strip on both sides of the front as well as back.
The front panels on both sides of the plackets are cut in a long godet-like triangular shape that has been attached to the collar with long slits on either side of the jacket which divides the skirt into three segments, thus making it closely resemble an (Üçetek_entari) from Ottoman Turkey. It also features two very deep pockets on either side.
The piece was lined by Dr. Reem, with a fine ivory (muslin Muslin: (Arabic: Mosul – A city in Iraq, or French: Mousse – Foam; Synonym: Mulmul; Melmel Melmel: (Bengali: Mulmul ; Synonym: Mulmul; Muslin), colloquial term from the UAE & other Gulf countrie, for a fine variety of plain-woven cotton unique to the Gangetic Delta – Ganges, Padma, and Meghna rivers.  ), a fine variety of plain-woven cotton unique to the Gangetic Delta – Ganges, Padma, and Meghna rivers. The term is either a derivative of Mosul, where it exchanged hands or "mousse" due to its lightweight and fluffy texture. ) possibly of Indian origin, and is completely machine stitched. Dr. Reem also resized it with a plain ivory satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. fabric beneath the arms.
 
More Info
Iraq, located south of Türkiye, was a significant Arab territory under the rule of the Ottoman Empire for approximately four centuries. In the northern province of Mosul, which was then under Ottoman rule, the prevalent modes of dress were heavily influenced by the fashion trends originating in Istanbul.
By the 1930s, the elites of Baghdad, as well as other urban Christian and Jewish communities, had fully transitioned from Ottoman attire to European-style clothing. However, among the urban Muslim elites and middle classes, the shift towards Westernised clothing occurred more gradually, the vestiges of which are seen through pieces like these which are essentially from a decade or two later.
 
Links

  • Cangökçe, Hadiye, et al. Osmanlı İmparatorluğu’nun Son Döneminden Kadın Giysileri = Women’s Costume of the Late Ottoman Era from the Sadberk Hanım Museum Collection. Sadberk Hanım Museum, 2010.  

  • Küçükerman, Önder, and Joyce Matthews. The Industrial Heritage of Costume Design in Turkey. GSD Foreign Trade Co. Inc, 1996.  

  • AĞAÇ, Saliha, and Serap DENGİN. “The Investigation in Terms of Design Component of Ottoman Women Entari Entāri: (Turkish; Synonym: Antari), a traditional Turkish long jacket-like unisex garment worn during the Ottoman era. It often featured an open front with long sleeves and was worn over an undershirt and a pair of trousers and was sometimes layered by a short waist or hip-length jacket.  in 19th Century and Early 20th Century.” International Journal of Science Culture and Sport (IntJSCS), vol. 3, no. 1, Mar. 2015, pp. 113–125.  https://dergipark.org.tr/tr/download/article-file/91778 

  • Parker, Julianne. “OTTOMAN AND EUROPEAN INFLUENCE IN THE NINTEENTH-CENTURY BRIDAL COLLECTION OF THE AZEM PALACE, DAMASCUS, SYRIA.” Journal of Undergraduate Research: Brigham Young University, 18 Sept. 2013. http://jur.byu.edu/?p=6014 

  • Koç, Adem. “The Significance and Compatibility of the Traditional Clothing-Finery Culture of Women in Kutahya in Terms of Sustainability.” Milli Folklor , vol. 12, no. 93, Apr. 2012. 184. https://www.millifolklor.com/PdfViewer.aspx?Sayi=93&Sayfa=181 

  • Micklewright, Nancy. “Late-Nineteenth-Century Ottoman Wedding Costumes as Indicators of Social Change.” Muqarnas, vol. 6, 1989, pp. 161–74. JSTOR, https://doi.org/10.2307/1602288. Accessed 13 July 2023. 

  • Micklewright, Nancy. “Looking at the Pst: Nineteenth Century Images of Constantinople and Historic Documents.” Expedition, vol. 32, no. 1, pp. 24–32.  https://www.penn.museum/documents/publications/expedition/pdfs/32-1/micklewright.pdf 

  • Ozgen, Ozlen, et al. “Henna Ritual Clothing in Anatolia from Past to Present: An Evaluation on Bindalli.” Textile Society of America Symposium Proceedings, 2021, https://doi.org/10.32873/unl.dc.tsasp.0122. 

  • https://www.metmuseum.org/art/collection/search/451160 

  • https://collections.vam.ac.uk/item/O90892/entari Entāri: (Turkish; Synonym: Antari), a traditional Turkish long jacket-like unisex garment worn during the Ottoman era. It often featured an open front with long sleeves and was worn over an undershirt and a pair of trousers and was sometimes layered by a short waist or hip-length jacket. -unknown/ 

  • https://www.metmuseum.org/art/collection/search/85546 

  • https://www.metmuseum.org/art/collection/search/85540 

  • https://islamicart.museumwnf.org/database_item.php?id=object;EPM;rm;Mus21;22;en 

  • https://archive.aramcoworld.com/issue/200703/the.skill.of.the.two.hands.htm 

  • http://www.turkishculture.org/textile-arts/clothing/womens-garments/womens-garments-1065.htm?type=1 

  • http://jezebeljane.blogspot.com/2015/09/womens-clothing-in-16th-century-turkey.html 

  • https://www.issendai.com/16thcenturyistanbul/visual-dictionary/kaftan/ 

  • https://babogenglish.wordpress.com/2016/02/25/turkey-general-information/ 

  • https://ertugrulforever.com/turkish-fashion-2021/ 

  • https://northamericaten.com/turkish-clothing-of-ottoman-times/ 

  • https://www.al-monitor.com/originals/2019/04/turkish-traditional-costumes-from-head-to-toe.html 

  • https://reconstructinghistory.com/blogs/blog/an-ottoman-turkish-outfit-part-iii-the-yelek Yelek: (Old Anatolian: yélek – Vest; Synonyms: Jelick Jelick: (Old Anatolian: yélek – Vest; Synonyms: Yelek, Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. , Jilek Jilek: (Old Anatolian: yélek – Vest; Synonyms: Jelick, Yelek), a short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek. ), short waist or hip length vest traditionally worn by both Ottoman men and women throughout the empire. Ranging from sleeveless to full sleeves, these vests were usually front open and without any fastenings. Often cepken jackets were used as yelek.  

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