Embroidered overgarment with train - UAE

Object History 
Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage. was initially contacted on Instagram by Mariam Khalfan Mohammed Khalifah al Maydi al Badwawi, who offered to volunteer and help source old artifacts from the northern Emirates for the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Collection. Mariam has been an invaluable addition to our team, as she connects easily with people and patiently explains our role, convincing others to help the cause.
This rare overgarment (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.   khwar Khwār: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (mkhawar Mkhawar: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (khwār), (takhwīr), (dag), or (ḍarb).), (takhwīr), (dag), or (ḍarb). zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries.  thayil Thāyil: (Arabic: thayil: tail), in Arab gulf dialect, train affixed to the back of overgarment (thawb) for decorative purposes and to denote status.) is one of her finds, she located it at an old store in a remote area of Hatta. The Asian owner who made this garment was in his eighties he was closing down and this was part of the leftover dusty inventory stored in the back.
 
Object Features 
This floral print, sheer cotton overgarment (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ), has a white base printed in a repetitive floral blue and purple motif.
The overall simple shape is derived by plainly folding a length of fabric and cutting an opening (halj Ḥalj: (Arabic: ḥalq: mouth, pl: ḥlūj,). Colloquially, the term refers to the neckline opening. The letter (qāf) is turned (jīm) in many Arab dialects.) at the center of the fold to allow the head to pass through, creating the neckline (bidhah Bidḥah:  (Arabic: qata'a or shaqqa: to cut or split). In Emirati dialect, the term refers to the chest area of a garment generally decorated in embroidery or other embellishments.) and the central axis. The two outer edges of the folded fabric are then stitched from the hip line down to the lower hemline, on both sides, creating two large openings for the hands to pass through forming the quintessential wide sleeves (jinan Jinān: (Colloquial Arab Gulf, synonym: akmām, kmūm, chmūm), wide sleeve panels on overgarments (athwāb). ).
The neckline and central axis are adorned with gilded machine embroidery (khwar Khwār: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (mkhawar Mkhawar: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (khwār), (takhwīr), (dag), or (ḍarb).), (takhwīr), (dag), or (ḍarb). zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ). The embroidery is in naïve metallic silver (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ) floral shapes that feature a dense metallic gold base (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ) highlighted in dark green silk thread (brisam Brīsam: (Persian: Aabrēšam, Syriac: Aprišum ‘Um: (Arabic: mother), a sign of respect or formality, women are not addressed by their own names, rather as mother of, then adding the name of the eldest son as in Um Mohammed. Also can mean: with, for example (‘um mishakhiṣ) meaning with gold embellishment., English: prism). Generally, refers to the finest form of silk thread. Also pronounced (ibrīsam).), a style very popular in the Emirates from the 1950s to the late 1970s.
Light white voile cotton is typically used as lining to enforce the fabric and enable the compact machine embroidery on the relatively sheer fabric, with raw-cut outlines remaining clearly visible from underneath as the gown is worn.
Despite the naivety of the overall shape of the garment the excess fabric at the back is left to drape un cut to create a very primitive form of train. While the hemlines are left unhemmed.