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Embroidered combination overgarment tunic - UAE

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Local NameThawb_kandurah mzarai
Object CategoryCombination overgarment tunic    
GenderFemale    
Date of objectCirca 2002
Place Of orginUnited Arab Emirates
RegionAbu Dhabi
Object RangeUAE
DimensionsLength: 157 cm Width: 170 cm
MaterialsSilk    
TechniqueMachine Embroidered    Machine Stitched    Embellished    
Color
MotifArabesque    Floral    
ProvenanceDonated, Fatimah al Hashmi, Abu Dhabi 2018
LocationThe Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative
StatusIn storage
ZI numberZI2018.500221 UAE
Object History
This combination overgarment (thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining.) was donated to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative by the Emirati poet Fatimah al Hashmi

Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.

(@liyaaly). She is a close friend of Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwalli
Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage.
and an avid supporter of The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative.
Fatimah attained a high school degree and is a wife to her maternal cousin, and mother to a son and daughter. She was one of the UAE female poets of the eighties, who began publishing her poems and literary writings under various pseudonyms, such as Abu Dhabi Nights, Um ‘Um: (Arabic: mother), a sign of respect or formality, women are not addressed by their own names, rather as mother of, then adding the name of the eldest son as in Um Mohammed. Also can mean: with, for example (‘um mishakhiṣ) meaning with gold embellishment. Khaled Nights, Wanat Alam or Layali. However, in her most recent four publications in 2019 and 2020, she opted to use her full name.
 
Object Features 
Before the 1980s, it was common to employ contrasting colours and techniques within the components of UAE traditional dress. Women used to wear an overgarment (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ) that contrasted with the tunic dress (kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
) underneath. Soon this evolved into matching sets known as (thawb_wa_kandurah Thawb_wa_kandūrah: (colloquial, UAE), an elaborate form of the traditional overgarment (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ) and tunic (kandūrah) ensemble, that evolved post-1980s where the two garments became matched as a set.), where the two garments were made of the same or matching fabrics and colours. By the late 1990s, this evolved further, as the two separate articles were merged into one and became attached at the neckline,  utilising the inner tunic as lining and creating a combination overgarment tunic called thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining..
This example of the combined overgarment tunic dress (thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining.), is composed of a vibrant fuchsia (busi Būṣī: (UAE colloquial), the colour fuschia.) pink gold metallic banarsi brocade Brocade: (Italian: brocco – twisted thread), is a richly decorative fabric woven with an intricate raised pattern. Its origins can be traced back to ancient China, where it was made for the imperial court. It later spread to Europe during the Renaissance and became popular in couture and decorative arts.  (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ), in repetitive paisley Paisley: (Scottish Gaelic, Pàislig: a town in Scotland), often called buta Būta: (Anglicized Persian: boteh – Pinecone shaped motif), known as paisley in English it is the almond or pinecone-shaped motif, especially in textiles. It is believed to have originated from the Cyprus tree a Zoroastrian symbol for life and eternity. In the current Indian context, however, it simply means motif., boteh, amli, or kalgi in the subcontinent and kazuwah in Arabic, is a Persian tear drop motif with a curved end specially in textiles. Its popularity and subsequent local production in 18th century at Paisley are responsible for its nomenclature. motif (kazu Kāzū: (Arabic: Kāzū: cashew nut, pl. Kāzūwāt), a vegetative paisley form, similar to the kidney shaped cashew nut, printed or embroidered on fabrics. The fabric can also be referred to as  (bū_ kāzūwah). Also pronounced (Kāzūwah), (gāzū) or (gāzūwah) in some Arab dialects by turning the letter (kāf) to (gā).) creating the upper layer or (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ). It is lined by an inner plain, but matching, fuchsia pink lightweight, dull-finished crêpe georgette Georgette: (French: Georgette de la Plante – a famous dressmaker), a lightweight, sheer fabric with a dull crimpled surface. It is usually made of silk but can also be made of synthetic fibers. Georgette was first introduced in the early 20th century and was named after the French dressmaker.  tunic (kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
). The two garments are attached by sharing one neckline opening.
The shared neckline and central axis (bidhah Bidḥah:  (Arabic: qata'a or shaqqa: to cut or split). In Emirati dialect, the term refers to the chest area of a garment generally decorated in embroidery or other embellishments.) continue the nineties trend of a larger open neckline that allowed for more cleavage, to accentuate western-style jewellery.
In this example, the embroidered outline of the central axis has evolved into an oblong V-shape, where the wider edge starts at the shoulder line and the lower point reaches the crotch line, rather than the traditional square format with a central stem found on most similar examples. This outlined shape is embroidered drawing inspiration from the gold brocaded (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ) paisley Paisley: (Scottish Gaelic, Pàislig: a town in Scotland), often called buta Būta: (Anglicized Persian: boteh – Pinecone shaped motif), known as paisley in English it is the almond or pinecone-shaped motif, especially in textiles. It is believed to have originated from the Cyprus tree a Zoroastrian symbol for life and eternity. In the current Indian context, however, it simply means motif., boteh, amli, or kalgi in the subcontinent and kazuwah in Arabic, is a Persian tear drop motif with a curved end specially in textiles. Its popularity and subsequent local production in 18th century at Paisley are responsible for its nomenclature. shapes (kazu Kāzū: (Arabic: Kāzū: cashew nut, pl. Kāzūwāt), a vegetative paisley form, similar to the kidney shaped cashew nut, printed or embroidered on fabrics. The fabric can also be referred to as  (bū_ kāzūwah). Also pronounced (Kāzūwah), (gāzū) or (gāzūwah) in some Arab dialects by turning the letter (kāf) to (gā).) woven on the fabric. Pairs of, one large and one smaller paisley Paisley: (Scottish Gaelic, Pàislig: a town in Scotland), often called buta Būta: (Anglicized Persian: boteh – Pinecone shaped motif), known as paisley in English it is the almond or pinecone-shaped motif, especially in textiles. It is believed to have originated from the Cyprus tree a Zoroastrian symbol for life and eternity. In the current Indian context, however, it simply means motif., boteh, amli, or kalgi in the subcontinent and kazuwah in Arabic, is a Persian tear drop motif with a curved end specially in textiles. Its popularity and subsequent local production in 18th century at Paisley are responsible for its nomenclature. motif are uniformly scattered within this V-shape with other floral and arabesque motifs filling in the area. The whole embroidery work (khwar Khwār: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (mkhawar Mkhawar: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (khwār), (takhwīr), (dag), or (ḍarb).), (takhwīr), (dag), or (ḍarb).) is done in metallic antique gold thread (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ) and accentuated with minute Swarovski crystals in clear and smoked tones. Matching embroidery adorn the sleeve cuffs of the inner tunic kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
, dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.
.
Keywords: mzarai Mzarāī : (Persian, originally two-syllables: zar-dozi, zar: gold, dozi: embellishment). Colloquial in the Arab Gulf region, it refers to any gold brocaded fabric or gilded embellishment. The flat ribbons or straws are known as (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ), (khus), or (gasab Gaṣab: (Arabic: qaṣab: straw). Colloquial in Arabic the letter (qaf) is turned to (ga).). Adding the letter (mīm) to the start of the word changes the meaning to ‘decorated with’. Also known as, (mkhawas Mkhawaṣ: (Arabic: khuṣ) meaning adorned with straw (khūṣ). Adding the letter (mīm) to the start of the word changes the meaning to ‘decorated with’. Also known as (mzarāī) or (mgaṣab).) or (mgasab).

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