Paneled combination overgarment tunic - UAE

Object History 
This dress was spotted by Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwalli Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage. in the above photo depicting the late Sheikh Khalifa bin Zayed Al Nahyan with a group of his nieces as they payed their respects and he greeted them during Eid celebrations in 2011. The two girls in traditional dress on the right-hand side of the image are Sheikhah Shamsa and Sheikhah Hamda, daughters of Haza bin Tahnoun Bin Mohammed Al Nahyan. The garments were designed and commissioned for the children by their maternal aunt, Sheikhah Roda bint Mohammed bin Khalid al Nahyan.
The story of how we got (thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining.) is very interesting. It is very rare to find an image of the late Sheikh Khalifa bin Zayed Al Nahyan taken with women in traditional dress. Dr. Reem is a close friend of the two young girls’ mother, Sheikhah Moza bint Mohammed bin Khalid Al Nahyan, and she telephoned to ask the Sheikhah if the dress was still available. The mother responded by laughing, it was 2018 and she said the dress was long gone, reminding Dr. Reem that the young Sheikhah was now seventeen years old, and the gown had probably been given away. There is a tradition in the Arab culture of passing clothing on to younger children as soon as their owners have grown out of them.
After some investigation by the staff, the dress was eventually tracked down; it had been gifted to a family in Morocco. As in most cultures, it is bad etiquette, even shameful, to ask for the return of a present but the rarity of this garment meant that the request was made. Apologies were offered, more clothes were sent to Morocco as a replacement gift and the lady of the family obliged; the thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining. was returned to the UAE to be gifted to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Collection in support of their work in preserving Arab culture.
Sheikhah Moza bint Mohammed bin Khalid Al Nahyan married her maternal cousin Sheikh Hazza’ bin Tahnun Al Nahyan in 2000. Both spouses hold an MA in Business Administration, they have 2 daughters and 2 sons.
Sheikhah Hamda bint Hazza bin Tahnoun bin Mohammed Al Nahyan, their daughter was born in 2003, she is currently in her first year at London School of Economics aiming to eventually study law.
 
Object Features 
Before the 1980s, it was common to employ contrasting colours and techniques within the components of the traditional dress. Women used to wear a thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.   that contrasted with the tunic dress (kandurah Kandūrah: (Arabic: qandūrah, pl. kanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences., qandurah Qandūrah: (Arabic, pl. qanādīr, synonyms: ghandurah Ghandūrah: (Arabic, pl. qanādīr, synonyms: qandurah, darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences., darā’ah, dishdāshah, jalābah, jallābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. ), a loose, short or long-sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences. , dra’ah, dishdāshah, jallābīyah, jalābah, jillābīyah, qaftan, mqta’, thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. )  loose, short or long sleeved, shirt like (qamis

Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.

) tunic with frontal neckline opening, worn by both sexes. Each Arab region has a different term for what is essentially a similar garment with various small differences.). Soon this evolved into a matching set known as (thawb_wa_kandurah Thawb_wa_kandūrah: (colloquial, UAE), an elaborate form of the traditional overgarment (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ) and tunic (kandūrah) ensemble, that evolved post-1980s where the two garments became matched as a set.). By the 1990s, it developed further, as the two identical pieces were merged into one, attached at the neckline as they became a unified piece or combination overgarment tunic called (thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining.) reserved for social events.
This example is called thawb_kandurah Thawb_kandūrah: (colloquial, UAE), post-1990s the (Thawb_wa_kandūrah) ensemble of the eighties evolved where the overgarment (thawb) and tunic (kandūrah) became united at the neckline creating one outfit and inner tunic receding to act as lining. (myaza’) because of the panelled construction of the overgarment. Traditionally, this style evolved out of frugality, when garments were made from several pieces of expensive fabric remnants. Over time it came to be recognized as a style in itself called myaza’.
The fabric is comprised of a series of multi-colored light French silk chiffon panels in royal purple, grass green, and deep red. This garment is machine embroidered (mkhawar Mkhawar: (colloquial, UAE) refers to machine embroidery in silk thread (brīsam), gold metallic coil (zarī), or pure silver coil (khwār_tūlah). It typically decorates the neckline opening (ḥalj) and sleeve cuffs of the tunic (kandūrah), the chest (bidḥah) on the overgarment (thawb) or ankle-cuffs of underpants (sarwāl).  It is also known as (khwār), (takhwīr), (dag), or (ḍarb).), in a gold metallic thread (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ), with arabesque Flora and fauna motifs. The embroidery accentuates the neckline (bidhah Bidḥah:  (Arabic: qata'a or shaqqa: to cut or split). In Emirati dialect, the term refers to the chest area of a garment generally decorated in embroidery or other embellishments.), central axis, and paneling joints of the overgarment, as well as the sleeve cuffs of the purple satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. silk inner tunic. The embroidery is then further accentuated with royal purple, grass green, and deep red Swarovski iron-on crystals (fsus Fṣūṣ: (Arabic, sing. fuṣ), meaning a crystal or a bead used in embellishment or jewellery. ).