Embroidered tunic dress in metallic thread - UAE

Object History 
An Instagram follower of Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage., Mira Ahmed Hamdan, Um ‘Um: (Arabic: mother), a sign of respect or formality, women are not addressed by their own names, rather as mother of, then adding the name of the eldest son as in Um Mohammed. Also can mean: with, for example (‘um mishakhiṣ) meaning with gold embellishment. Sa’id, contacted her in 2018. Mira was a fan of the work carried out by The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative and wished to donate a garment to the Collection.
Mira is a university graduate, married to her paternal cousin, and has 5 daughters and 3 sons. She works as an elementary teacher. She believes in instilling national pride in her students by sustaining traditional heritage.
 
Object Features
This is an important example as it demonstrates the post-millennium evolution of this particular tunic dress (kandurah_arabiyah Kandūrah_‘arabīyah: (colloquial Emirati term), coined post 1990s, to refer to the qamīs-like tunic with vertical slit located on the left side of the neckline extending down the chest. The origins of this slit are believed to lie in the Punjabi (kurta) and is generally fastened using cotton thread ball-like buttons ('igham), or metal snaps (siq_w_bic) which were subsequently replaced by transparent versions.ly replaced by transparent versions.) specific to the UAE, and whose origin is believed to emanate from the Punjabi kurta Kūrtā: (Urdu and Persian: kurtah Kurtah: (Urdu and Persian: kurta, synonyms: bīchī, gawan, fustān, nafnūf, kirtah Kirtah: (Punjabi: kurta, synonyms: bīchī, gawan, fustān, nafnūf), colloquially in KSA, Kuwait and Bahrain refers to sleeved, waist-cinched dress that comes in different styles.), a loose sleeveless shirt of varying lengths, typically falling either just above or somewhere below the knees, with its side-seams left open at the bottom, worn in South Asia, usually with a salwar

Salwar: (Farsi: shalvār; Synonym: ṣarwāl, shirwāl ), trousers featuring tapering ankles and drawstring closure of Central Asian origin. They disseminated in the Indian subcontinent between c.1st-3rd century BCE. Although exact period of its arrival in the Arab world is disputed their widespread adoption is confirmed from the 12th century.

, churidars, or pyjama. In Hijazi dialect, the term refers to a sleeved, waist-cinched dress that comes in different styles, popularly worn since the 1950s.). a sleeveless shirt of varying length, typically falling either just above or somewhere below the knees of the wearer, with its side-seams left open at the bottom.. Its defining feature is the vertical slit (shaj Shaj: (Arabic: shaq), meaning 'a rip or tear’ and refers to the opening at the neckline of a garment, also known as (jayīb). The letter (qaf) is turned (jīm) in many colloquial Arab dialects.) on the left side of the neckline (halj Ḥalj: (Arabic: ḥalq: mouth, pl: ḥlūj,). Colloquially, the term refers to the neckline opening. The letter (qāf) is turned (jīm) in many Arab dialects.) that extends down the chest. That functioned as a means to enlarge the fitted neckline opening (halj Ḥalj: (Arabic: ḥalq: mouth, pl: ḥlūj,). Colloquially, the term refers to the neckline opening. The letter (qāf) is turned (jīm) in many Arab dialects.) and allow the head to pass through, which is then closed and opened by means of cotton buttons (igmah) or snaps (siq_w_biq Siq_w_biq: (Colloquial Arabic), metallic snap studs used to fasten clothing. The term in an onomatopoeia representing the sound that the snaps make when opening and snapping shut.).
However, in this more contemporary example, we see the neckline has widened to complement western-style necklaces that soon became the norm rendering the traditional side slit obsolete. Yet the outline of this slit continues to exist through embroidery and other forms of adornment.
Interestingly, the fact that most tailors are non-native and lack the background knowledge of the area’s cultural heritage, leads to maintaining this feature by changing it to a mere delineated decorative motif embroidered in the shape of a left-side indentation on the garment.
Ignorantly they began to include an added zipper to the back of the garment to serve the exact function of the earlier shaj Shaj: (Arabic: shaq), meaning 'a rip or tear’ and refers to the opening at the neckline of a garment, also known as (jayīb). The letter (qaf) is turned (jīm) in many colloquial Arab dialects.. Sadly, this history of the evolution of the shaj Shaj: (Arabic: shaq), meaning 'a rip or tear’ and refers to the opening at the neckline of a garment, also known as (jayīb). The letter (qaf) is turned (jīm) in many colloquial Arab dialects. has been lost, not only to these tailors but also to the Emirati women who continue to wear the contemporary kandurah_arabiyah Kandūrah_‘arabīyah: (colloquial Emirati term), coined post 1990s, to refer to the qamīs-like tunic with vertical slit located on the left side of the neckline extending down the chest. The origins of this slit are believed to lie in the Punjabi (kurta) and is generally fastened using cotton thread ball-like buttons ('igham), or metal snaps (siq_w_bic) which were subsequently replaced by transparent versions.ly replaced by transparent versions..
The garment is made from a striped satin Sātin: (Arabic: Zaytuni: from Chinese port of Zayton in Quanzhou province where it was exported from and acquired by Arab merchants), one of the three basic types of woven fabric with a glossy top surface and a dull back. Originated in China and was fundamentally woven in silk. silk fabric known locally as (bu_nsaiah Bū_Nsai’ah: (Arabic, bu: diminutive of abu: father, nis’ah Nis’ah: (Arabic: diminutive of nis’ah: belt), a woven cotton or wool spun flat cord, used to gather and fasten underpants (sirwal Sirwāl: (Farsi: shalvār; Synonym: Salwar

Salwar: (Farsi: shalvār; Synonym: ṣarwāl, shirwāl ), trousers featuring tapering ankles and drawstring closure of Central Asian origin. They disseminated in the Indian subcontinent between c.1st-3rd century BCE. Although exact period of its arrival in the Arab world is disputed their widespread adoption is confirmed from the 12th century.

, Ṣarwāl, sharwāl, salbāl, khalag), pair of trousers with tapering ankles and fastened with a draw string. Believed to have originated in Central Asia it has spread since in the Indian subcontinent between c. 1st – 3rd century BCE and the Middle East from c. 12th century. ) around the waist. Also known as (ribqah Ribqah: (Arabic: noose, pl. ribaq), colloquially in Saudi Arabia, it refers to the cotton cord used to fasten the waistline on underpants (sirwal Sirwāl: (Farsi: shalvār; Synonym: Salwar

Salwar: (Farsi: shalvār; Synonym: ṣarwāl, shirwāl ), trousers featuring tapering ankles and drawstring closure of Central Asian origin. They disseminated in the Indian subcontinent between c.1st-3rd century BCE. Although exact period of its arrival in the Arab world is disputed their widespread adoption is confirmed from the 12th century.

, Ṣarwāl, sharwāl, salbāl, khalag), pair of trousers with tapering ankles and fastened with a draw string. Believed to have originated in Central Asia it has spread since in the Indian subcontinent between c. 1st – 3rd century BCE and the Middle East from c. 12th century. ). Also known as (dikka), or (nis’ah).), or (dikkah Dikkah: (Arabic: belt), a drawstring or cotton cord used to fasten the waistline on underpants (sirwal Sirwāl: (Farsi: shalvār; Synonym: Salwar

Salwar: (Farsi: shalvār; Synonym: ṣarwāl, shirwāl ), trousers featuring tapering ankles and drawstring closure of Central Asian origin. They disseminated in the Indian subcontinent between c.1st-3rd century BCE. Although exact period of its arrival in the Arab world is disputed their widespread adoption is confirmed from the 12th century.

, Ṣarwāl, sharwāl, salbāl, khalag), pair of trousers with tapering ankles and fastened with a draw string. Believed to have originated in Central Asia it has spread since in the Indian subcontinent between c. 1st – 3rd century BCE and the Middle East from c. 12th century. ). Also known as (ribqah Ribqah: (Arabic: noose, pl. ribaq), colloquially in Saudi Arabia, it refers to the cotton cord used to fasten the waistline on underpants (sirwal Sirwāl: (Farsi: shalvār; Synonym: Salwar

Salwar: (Farsi: shalvār; Synonym: ṣarwāl, shirwāl ), trousers featuring tapering ankles and drawstring closure of Central Asian origin. They disseminated in the Indian subcontinent between c.1st-3rd century BCE. Although exact period of its arrival in the Arab world is disputed their widespread adoption is confirmed from the 12th century.

, Ṣarwāl, sharwāl, salbāl, khalag), pair of trousers with tapering ankles and fastened with a draw string. Believed to have originated in Central Asia it has spread since in the Indian subcontinent between c. 1st – 3rd century BCE and the Middle East from c. 12th century. ). Also known as (dikka), or (nis’ah).), or (nis’ah).). The term is also used to denote any chevron motif.: belt), A woven cotton or wool spun flat cord, used to gather and fasten underpants on waist. Also used to denote any chevron motif.). It is wider than average and as such does not require a gusset (bat Bāṭ: (Arabic: underarm/armpit, pl. bītān, synonym: ibt, tkhrāṣah, tnfāyah/tnfājah), gusset, a triangular or rhomboidal piece of fabric inserted into the seam to add breadth or reduce stress from tight-fitting clothing. Used for underarms on tunic dresses, side sleeve panels on overgarments (thāwb), and undergarments (ṣarāwl). ). The sleeves are also relatively wide and are fastened at the wrists with metal snaps (siq_w_biq Siq_w_biq: (Colloquial Arabic), metallic snap studs used to fasten clothing. The term in an onomatopoeia representing the sound that the snaps make when opening and snapping shut.). The embroidery on both the neckline and sleeve cuffs (hyul Ḥyūl: (Arabic: hjūl: to walk or jump), colloquially in the Gulf region, the term refers to the hem of garment or its sleeves. In pronunciation, the (j) turns to (y). ) are in gold-coloured metallic thread (zari Zarī: (Persian two-syllables: zar: gold & dozi: embellishment), complex embroidery technique that uses metal alloy on silk, satin, or velvet, and may include pearls, beads, and precious stones. Colloquially in the Arab gulf region, the term (zarī) is loosely applied to any gilded thread, embellishment or gilded brocade fabric. Originated in ancient Persia it has been used extensively in Indian and Middle Eastern textiles for centuries. ) with intricate floral and arabesque motifs, and iron-on crystals for an added bling.