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Tie and dyed cotton women’s robe – Japan

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Local NameYukata_kimono
Object CategoryOvergarment    
GenderFemale    
Place Of orginAsia
RegionJapan
Object RangeJapan
DimensionsLength: 143 cm Width: 130 cm
MaterialsCotton    
TechniqueDyed    Hand Stitched    
Color
MotifGeometric    Abstract    
ProvenancePurchased, dealer, New York 2017
LocationThe Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative
StatusIn Storage
ZI numberZI2017.500840 ASIA
Object History 
This cotton (shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers. ) dyed blue (yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes. ) was purchased by Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli
Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage.
from a dealer in New York in 2017 to enhance the collection of The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative.
 
Object Features   
This is an (indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.  ) blue shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  dyed cotton yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes. . The excess amount of indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.   makes the yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes.  look alomost black with touches of grey, blue and white.
The field of this yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes.  is patterned in two different layers. While one layer runs vertical to the piece in rows of parallel lines the other forms a series of diamond shapes in ascending order of size with the smallest one encased in the centre of the larger ones.
The piece has no lining at all except for a rectangular patch of the same fabric hand stitched at the mid lower half of the underside. This position of this patch suggests that it served as a lining to prevent the yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes.  from being stained by any body fluids while sitting down especially considering that yukata_kimono Yukata_kimono: (Japanese: Bathrobe), a traditional Japanese summer kimono worn by both men and women. Characterised by its material which is usually summer friendly cotton, contumely white or dyed in indigo and never lined. traditionally worn all year long as bathrobes.  were traditionally worn during the hot sweltering summer months.
While the origin of certain techniques and methods in textiles like satin_stitch Satin_stitch: (Synonym: Damask Stitch), is a type of flat embroidery stitch that creates a satin like smooth and shiny surface by closely spaced stitches, covering an entire area or shape. embroidery can be traced to China, and its spread across the world could be attributed to the Silk Road, other similar techniques and styles are believed to have originated independently in different regions of the world almost simultaneously in human history possibly from necessity and convenience.
Though The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative is concerned mainly with the dress and adornment heritage of the Arab world, it does include in its collection articles from areas outside the region. These tend to be collected to illustrate specific shared elements and influences attesting that the Arab world never existed in a vacuum. It constantly drew, and continues to draw, inspiration and influences from the cultures it comes in contact with be it through trade or geopolitical circumstances, especially those countries within the old silk route.
Therefore, one cannot but draw parallels between many techniques used in such garments, such as (couching

Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn

) and thread knotting techniques (macrame Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.Macrame Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.: makrəˌmā: (Arabic: karam: tree with dangling grapes), ornamental fringe. The art of knotting cord or string in patterns to make decorative articles. Earliest recorded uses of macramé-style knots as decoration appeared in Babylonian and Assyrian carvings.), or flat metal adornment (talli

Tallī: (Turkish: tel – wire, string), Gulf Arab – a woven braided trimming made with metal wire, threads and ribbons often sewn on detachable panels used as embellishments. Other – (Synonym: tulle_bi_talli

Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi

Khus_dozi: (Persian: Khvosh – an Iranian province; dozi – needlework; Synonym: tariq; talli; tulle_bi_talli; badla), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in Iran and parts of the Arabian Peninsula possibly because Khvosh was one of the centres for the craft.

), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt.

; tariq; badla; khus_dozi

Khus_dozi: (Persian: Khvosh – an Iranian province; dozi – needlework; Synonym: tariq; talli; tulle_bi_talli; badla), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in Iran and parts of the Arabian Peninsula possibly because Khvosh was one of the centres for the craft.

), series of small metal knots made on a woven net ground as embellishment.

), that are quite similar to those found in different parts of the Arab region.
The kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. , in particular, displays similarities that can be drawn with the pattern of Arab women’s overgarment or the (thawb Thawb: (Arabic: thawb,  Pl. Athwāb/thībān), can be pronounced thobe Thobe: (Arabic: thawb, Pl. Athwāb/thībān), can be pronounced thawb or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. or tobe Tobe: (Arabic:  thawb,  Pl. Athwāb/thībān), can be pronounced thawb or thobe based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women. based on locale. The standard Arabic word for ‘fabric’ or ‘garment’. It can also refer to a qamīs-like tunic worn by men and women in the Arabian Peninsula, Iraq, the southern and south-western ports and islands of Iran, and some countries in East and West Africa. More specifically, it can refer to the square-shaped Bedouin overgarment worn by women in the Arabian Gulf region.  ), common to the Gulf region, constructed of three uncut panels of broad clothes forming the central body panel and the side sleeve panels very similar in shape to the kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. .
 
More Info
Shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  is a Japanese dyeing technique that involves creating intricate patterns on fabric by folding, twisting, and binding it before dying. Unique and beautiful patterns could be created using different binding techniques with different dyes.  
Some of the earliest surviving examples of shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  dyed fabrics like the cloth donated by Emperor Shomu to the Todai-ji Buddhist temple in Nara, Japan dates back to c. 8th century. Coupled with such examples recorded history such as written descriptions of the art or objects decorated in such art forms support the belief of its origin in Japan.
Initially it was used to dye silk for the emperors and aristocrats as well as clothes for the commoners. Different shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  techniques like shape resist, pole wrapping etc involve different methods of binding the fabric before dyeing resulting in unique patterns and textures. One of the most common techniques involves binding sections of the fabric with string or rubber bands to create a resist pattern. The fabric is then dyed, and the areas where the resist was applied remain undyed, creating a pattern.
It can be done with a variety of natural and synthetic dyes, including indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.  . It involves creating a fermented vat of indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.  , which is then used to dye the fabric. The fabric is dipped repeatedly in the indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.   vat, with each dip creating a darker shade of blue. This traditional practice of using indigo Indigo: (Latin: Indigo – India, synonym: nil Nīl: (Latin: indigo), Arabised term for Indigo, a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that have been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.), a natural dye belonging to the ‘Indigofera Tinctoria’ species of plants that has been cultivated in East Asia, Egypt, India, and Peru since antiquity. According to Pliny the Elder, it was named after India as it was the source of the dye.   for shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  is quite popular even today.
 
Links

  • Shibori Shibori: (Japanese: Shiboru – To wring, squeeze, or press), is a Japanese technique of manual dyeing that involves manipulating fabric to create patterns by binding, twisting, folding, or compressing it before dyeing. The history of Shibori dates back to the 8th century and has been used in the creation of a variety of fabrics, including kimono and futon covers.  Tie Dye Techniques - 5 Ways! Folding & PVC Pipe



  • Morishima, Yuki, et al. Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan.  Refashioned: Japan’s Impact on International Fashion. USA, Asian Art Museum, 2018. 



  • Kahlenberg, Mary Hunt. Asian Costumes and Textiles: From the Bosphorus to Fujiama. Italy, Skira, 2001. 



  • Liddell, Jill. The Story of the Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. . USA, E P Dutton, 1989. 



  • Dalby, Liza Crihfield. Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture. Reaktion Books, 1993. 



  • Gluckman, Dale Carolyn and Sharon Sadako Takeda. When Art Became Fashion: Kosode Kosode: (Japanese: small sleeve or opening), a traditional Japanese inner robe for both genders. Similar to a kimono but with a wider body, longer collars, and narrower and rounded sleeves, often stitched to the body, these under robes were lavishly decorated and were worn on top from late 16th century.  in Edo-Period Japan. Los Angeles County Museum of Art, 1996. 

  • Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Kyoto to Catwalk. 27 Aug. – 25 Oct. 2020, V&A South Kensington, London https://www.vam.ac.uk/exhibitions/kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. -kyoto-to-catwalk 

  • Gluckman, Dale Carolyn. “Liza Dalby. Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture.:Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : Fashioning Culture.” Museum Anthropology, vol. 19, no. 1, Mar. 1995, pp. 79–81. Crossref, https://doi.org/10.1525/mua.1995.19.1.79


 

  • “Meisen Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan.  From HALI 184 - HALI.” HALI, 24 July 2015, hali.com/news/meisen-kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. .

  • Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan.  Style: Edo Traditions to Modern Design: The John C. Weber Collection. USA, Met Publications, www.metmuseum.org/art/metpublications/Kimono_Style 



  • Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan.  Refashioned. 8 Feb. – 5 May, 2019, Asian Art Museum, San Francisco https://exhibitions.asianart.org/exhibitions/kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. -refashioned/ 



  • Takeda, Sharon Sadako. Monumenta Nipponica, vol. 49, no. 2, 1994, pp. 245–47. JSTOR,https://doi.org/10.2307/2385177. Accessed 10 May 2023. 



  • Guth, Christine. Journal of Japanese Studies, vol. 20, no. 2, 1994, pp. 518–22. JSTOR, https://doi.org/10.2307/133209. Accessed 10 May 2023. 



  • Richard, Naomi Noble. “Nō Motifs in the Decoration of a Mid-Edo Period Kosode Kosode: (Japanese: small sleeve or opening), a traditional Japanese inner robe for both genders. Similar to a kimono but with a wider body, longer collars, and narrower and rounded sleeves, often stitched to the body, these under robes were lavishly decorated and were worn on top from late 16th century. .” Metropolitan Museum Journal, vol. 25, 1990, pp. 175–83. JSTOR, https://doi.org/10.2307/1512899. Accessed 10 May 2023. 



  • Kramer, Elizabeth. “Review of ‘Kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. : A Modern History.’” Reviews in History, School of Advanced Study, 2015. Crossref, https://doi.org/10.14296/rih/2014/1787. 



  • https://daily.jstor.org/the-surprising-history-of-the-kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. / 



  • https://artsandculture.google.com/story/the-origin-of-kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. -the-kyoto-museum-of-traditional-crafts/iQWRIzW_YsXFJQ?hl=en 



  • https://www.kyohaku.go.jp/eng/collection/meihin/senshoku/item07/ 



  •   https://blog.nms.ac.uk/2021/12/03/stories-in-silk/ 



  • https://www.si.edu/object/kimono Kimono: (Japanese: ki : wearing, mono: thing, Singular: Kimono) A traditional Japanese long loose robe with wide sleeves tied with a sash around the waist. Presently it is the national dress of Japan. %3Achndm_1931-4-65 



  • https://www.tmja.org.il/eng/Exhibitions/493/Decorative_Motifs_in_Japanese_Art 



  • https://www.britishmuseum.org/collection/object/A_2014-3009-61 



  • https://www.jstor.org/stable/4101580?origin=crossref 



  • https://www.britannica.com/event/Genroku-period 



  • https://artsandculture.google.com/story/fashion-books-of-the-edo-period-kyoto-prefectural-library-and-archives/OwXxeSDqD6O5Lw?hl=en 



  • https://www.rochestertextile.com/post/398841446836/japanese-crepe

    Crepe: (Latin: crispus; Old French: crespe – curled or frizzed), is a lightweight, crinkled fabric with a pebbled texture woven from a hand spun untreated or ‘in the gum’ silk yarn.

    -fabrics-chirimen chirimen: A Japanese crepe

    Crepe: (Latin: crispus; Old French: crespe – curled or frizzed), is a lightweight, crinkled fabric with a pebbled texture woven from a hand spun untreated or ‘in the gum’ silk yarn.

    fabric traditionally made from silk. It has a distinctive pebbly texture and is commonly used in kimono and other traditional garments. Originally brought from China
    chirimen weaving extensively developed during the Edo period (1603-1868) and continues to be a popular textile in modern Japan.
     
    -kinsha
     

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