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| Local Name | Qamis |
| Object Category | Overgarment |
| Gender | Female |
| Date of object | c. 1995 - 2000 |
| Place Of orgin | Yemen |
| Region | Yemen |
| Object Range | Yemen |
| Dimensions | Length: 137 cm Width: 134 cm |
| Materials | Synthetic Other |
| Technique | Machine Stitched Machine Embroidered |
| Color | |
| Motif | Floral Geometric |
| Provenance | Purchased, Zakariya Ahmed, Sana'a 2018 |
| Location | The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative |
| Status | Storage |
| ZI number | ZI2018.500256.1 YEMEN |
Object Note
Part of a lot along with another item (ZI2018.500256.2 YEMEN), also in the collection.
Object History
This piece was purchased by Dr. Reem Tariq
Ṭariq: (Arabic; Synonym: tulle_bi_talli
Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt. Ṭariq: (Arabic; Synonym: tulle_bi_talli
Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt.
Mr. Ahmed is an antique and silver dealer from Sana’a, Yemen and a close supporter of The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period.. Like many others, he reached out to the team shortly after the launch of The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period.’s digital archive in 2019. Over the years, he has sourced many items, especially from Yemen and the KSA, for the collection.
Object Features
This is a woman’s dress (qamis
Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.
The embroidery on the field is primarily in a combination of metallic coloured lurex and silk floss
Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. threads. With a small round neckline and slivered opening down the front centre of the yoke
Yoke: (Synonym: Bodice_Yoke), a structured pattern fitted at the shoulders defining the structure of women’s garments. Introduced in c. 1880s it defines the transition between the upper and lower parts of the garments and can now be found stitched-in where the blouse is separated from the skirt by a horizontal seam. , the piece is decorated around the front opening, and over the shoulders in rows of V-shaped panels in green, red, beige and yellow floss
Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. using primarily (whip_stitch
Whip_stitch: (Synonym: Overcast_stitch), one of the basic stitching techniques in embroidery with simple stitches are worked on the smallest area of the base material as possible. It is often used for hemming and closing unfinished edges. Couching: (Latin: collocare – Place together), in needlework and embroidery couching is a technique in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn
Amongst the thin stripes, there are three narrow panels of chain link pattern banners in yellow and gold lurex, while a panel with repeats of a circle patterns adorn the outer edge of the neckline.
Two small patterns of a bird and a bouquet in lurex flanks the neck adornment, while a wide panel of vertically parallel stripes in colourful floss Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. thread adorn each side of the yoke Yoke: (Synonym: Bodice_Yoke), a structured pattern fitted at the shoulders defining the structure of women’s garments. Introduced in c. 1880s it defines the transition between the upper and lower parts of the garments and can now be found stitched-in where the blouse is separated from the skirt by a horizontal seam. and across the shoulders. Each panel is bordered with a series of triangular repeats with a floral bouquet separator.
The panel continues at the back of the qamis
Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers. Qamīṣ: (Possibly late Latin: Camisia – Linen Undergarment; Synonym: Kamiz), a traditional loose fitting long tunic or shirt worn by both men and women in South and Central Asia and the Arab world. Typically extending below the waist it is usually paired with a pair of trousers.
A square patch of an identical fabric is embroidered with an arched pattern, coloured striped frame and base and floral bouquets at its centre and corners in green is (appliquéd) to one of the sides of the skirt. The fall hemline of the skirt has two layers of thin, horizontally parallel striped panels with silver zigzag edges. The panels are set far apart from each other, creating a wide negative space in between.
Although not much is known about the piece, it could be presumed that it possibly originates in the Raymah region of Yemen and is possibly a modern version of the traditional garments of the area. Completely unlined, the piece is thoroughly machine-embroidered and machine-stitched.