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Embellished silk scarf or headband – Morocco

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Local NameHarz
Object CategoryHeadwear    
GenderFemale    
Date of objectc. 20th century
Place Of orginMorocco
RegionMorocco
Object RangeMorocco, Libya, Tunis, Egypt, Algeria, et al
DimensionsLength: 145 cm Width: 80 cm
MaterialsSilk    
TechniqueMachine Stitched    Machine Embroidered    
Color
MotifFloral    Calligraphy    
ProvenancePurchased, William Emmette, USA 2018
LocationThe Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative
StatusIn Storage
ZI numberZI2018.500835.5 MOROCCO

Object Note  

Part of a lot with four more items (ZI2018.500835.1 MOROCCO, ZI2018.500835.2 MOROCCO, ZI2018.500835.3 MOROCCO, and ZI2018.500835.4 MOROCCO) also in the collection.  


Object History  

This item was purchased by Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli

Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt.

; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

El Mutwalli Dr. Reem Tariq

Ṭariq: (Arabic; Synonym: tulle_bi_talli

Tūlle_bi_tallī: (French: Tulle – a city in France where fine material for veil was first made; Turkish: tel – wire; Synonym: tariq; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the North African Arab region specifically in Egypt.

; talli; badla; khus_dozi ), series of small metal knots made on a woven net ground as embellishment. The term is commonly used in the Levant Arab region specifically in Lebanon.

el Mutwallī: Founder (CEO) of the Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative, a public figure, speaker and author. An expert curator and consultant in Islamic art and architecture, interior design, historic costume, and UAE heritage. from an independent dealer, Mr William Emmet, of the USA in 2018 to be added to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative collection. 

Mr. Emmett, who had in turn acquired these pieces through purchased from a lady whose mother was a private secretary to two of Hollywood’s most famous celebrities – Sir Laurence Olivier and Vivienne Leigh. She acquired her collection from both Olivier and Leigh through purchase, as well as donations and gifts. 


Object Features  

This is either a silk scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. (sbiniyah_roumiyah

Sbīnīyah_rūmīyah: (Arabic: Rome – a city in Italy), a head dress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. traditionally worn by urban Moroccan women. Often made of silk these scarves are characterised by the series of fringes at its edge. European scarves were traditionally named after the Italian city of Rome to denote its foreign origin.

) or a headband (harz

Ḥarz: (Arabic), a headband worn by urban Moroccan women to fasten and hold the headdress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. in its place.

) with embroidered embellishments. Two square panels of similar dimensions are stitched together into a long rectangular single panel.  

While the field of the fabric is heavily embellished with (aghabani

Aghabānī: (Arabic), a type of embroidered fabric often either silk or cotton. The embroidery technique used to create the embellishment was needlepoint chain_stitch Chain_stitch: An embroidery technique where a looped stitch is made in a continuous chain-like pattern. Each stitch is formed by looping the thread through the previous stitch, creating a linked chain.   with Damascus and Aleppo as centre for such craftsmanship in the Levant.

) style embroidered floral, foliage, and calligraphic patterns in yellow silk floss Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing. thread over an ivory base, the edges of the fabric are trimmed with a series of knotted (macrame Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.Macrame Macrame: (French: macramé – A hand-knotted textile from Turkish: makrama – table spread or towel, from Arabic: miqrama – bedspread possibly with knotted hanging fringes resembling dangling grapes or karam in Arabic) A form of textile or fringe made by a knotting cord in geometrical patterns possibly originating in Babylon and Assyria.: makrəˌmā: (Arabic: karam: tree with dangling grapes), ornamental fringe. The art of knotting cord or string in patterns to make decorative articles. Earliest recorded uses of macramé-style knots as decoration appeared in Babylonian and Assyrian carvings.) fringes of yellow floss Floss: (Old French: flosche – nap of velvet), is a type of silk fibre obtained from the cocoons of wild silkworms. It is characterized by its long, fluffy fibers that are not tightly woven, making it ideal for use in various textile applications such as embroidery, lace-making, and sewing..  

Both the fabric panels reflect similar embroidered patterns. The design pattern in each panel can be roughly divided into four layers. 

The outermost layer is a wide panel running along the edges, creating a square frame. The panel is composed primarily of floral, tulips, and foliage patterns repeated along a wavy central vine.  

The second layer consists of four large corner elements composed of a floral and foliage bouquet with two large curling leaves flanking the central stem. This layer also features sporadic repeats of small floral patterns with flanking foliage that fills up the space. 

The third layer is a large floral and foliage wreath along a circular vine with curling leaves at its base, flanking it from both sides, and a (palmette Palmette: (French: Palmette – Small palm, synonym Greco-Roman: Anthemion), a decorative element, motif, or ornament particularly pertaining to designs of architecture and decorative arts that has radiating petals resembling a palm leaf. It is believed to have originated in ancient Egypt and had subsequently reached far and wide. ) shaped floral pattern in the centre of the base. This wreath frames a stylized Arabic script in the centre, forming an elaborate medallion.  

The panel could either be a scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. called the sbiniyah_roumiyah

Sbīnīyah_rūmīyah: (Arabic: Rome – a city in Italy), a head dress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. traditionally worn by urban Moroccan women. Often made of silk these scarves are characterised by the series of fringes at its edge. European scarves were traditionally named after the Italian city of Rome to denote its foreign origin.

or which covers the head of a Moroccan woman, or it could be the headband harz

Ḥarz: (Arabic), a headband worn by urban Moroccan women to fasten and hold the headdress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. in its place.

that is used to fasten and secure the scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. in its place, as seen in the picture below. Alternatively, it is also speculated to be a pillow or cushion cover given its mirroring dual embellishment.  


More Info 

The headdresses of Moroccan women have undergone significant changes since the early 20th century, following the introduction of large quantities of cheap silk into the market. Historically, Moroccan women wore shawls and headscarves made of heavy brocade Brocade: (Italian: brocco – twisted thread), is a richly decorative fabric woven with an intricate raised pattern. Its origins can be traced back to ancient China, where it was made for the imperial court. It later spread to Europe during the Renaissance and became popular in couture and decorative arts. , but these have been replaced by silk scarves with fringes known as sbiniyah_roumiyah

Sbīnīyah_rūmīyah: (Arabic: Rome – a city in Italy), a head dress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. traditionally worn by urban Moroccan women. Often made of silk these scarves are characterised by the series of fringes at its edge. European scarves were traditionally named after the Italian city of Rome to denote its foreign origin.

. The term 'roumiya' suggests a European origin, with sbiniyah_roumiyah

Sbīnīyah_rūmīyah: (Arabic: Rome – a city in Italy), a head dress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. traditionally worn by urban Moroccan women. Often made of silk these scarves are characterised by the series of fringes at its edge. European scarves were traditionally named after the Italian city of Rome to denote its foreign origin.

translating to 'Roman scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head.' or more broadly 'European scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head..' 

These silk scarves envelop the entire bulk of the hair, which is securely held in place by a headband called (harz

Ḥarz: (Arabic), a headband worn by urban Moroccan women to fasten and hold the headdress or scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. in its place.

). This allows for a variety of whimsical draping styles, each with its unique name. For instance, one style is called 'chedda al djaja' or 'chicken style,' where the fringes hang down at the sides like a hen's wings. Another style is 'chedda al mrouha' or 'fan style,' in which the scarf Scarf: (English), usually a rectangular piece of cloth loosely worn over the shoulders, upper body and arms, and sometimes also over the head. spreads out widely like a fan. 


Links 

  • Besancenot, Jean, et al. Costumes of Morocco. Kegan Paul International, 1990.  
  • Scarce, Jennifer M. Women’s Costume of the near and Middle East. Unwin Hyman, 1987.  
  • Montaldo, Elisabetta, and Clotilde Sarnico. L’oro Del Mare: L’antico Costume Delle Donne Di Procida. Libreria Dante & Descartes, 2009.  
  • Rubens, Alfred. A History of Jewish Costume. Weidenfeld and Nicholson, 1967.  
  • Stillman, Yedida Kalfon, and Norman A. Stillman. Arab Dress: From the Dawn of Islam to Modern Times. Brill, 2000.  

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