Local Name | Sayah |
Object Category | Overgarment |
Gender | Female |
Date of object | c. 20th century |
Place Of orgin | Iraq |
Region | Iraq |
Object Range | Türkiye, Syria, Iraq, Lebanon, Kuwait, Palestine, Jordan, Saudi Arabia, Egypt, Sudan, Cyprus, Bulgaria, Romania, Moldova, Greece, North Macedonia, Croatia, Serbia, Bosnia Herzegovina, Kosovo, Armenia, Azerbaijan, Georgia, et al. |
Dimensions | Length: 140 cm Width: 103 cm |
Materials | Silk Other |
Technique | Machine Stitched Woven |
Color | |
Motif | Floral |
Provenance | Donated, Basūs & Asīl Hāfuth, Baghdad 2019 |
Location | The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative |
Status | In Storage |
ZI number | ZI1989.500525 IRAQ |
Object Note
Part of a set with another item (ZI2019.500525a IRAQ) also in the collection.
Object History
This piece was donated to The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative by Basūs & Asīl Hāfuth in 2019 to be added to and enhance The Zay Zay: (Arabic: costume, Pl. azyaā’), a set of clothes in a style typical of a particular country or historical period. Initiative collection.
The piece originally belonged to Khawla, Basūs & Asīl’s mother, Shahbal Fakhri Al-Kafaf, who was a matriarch to a large, venerable Iraqi family and wore it in c. 1989. Born in Baghdad in 1923 to an Iraqi father and a Turkish mother,r Shahbal was known for her wit, elegance, and graciousness. She epitomised the best of Baghdad society of her time.
The family has enjoyed close ties with that of Dr. Reem over several years, with friendship between the members of both families in every succeeding generation.
Object Features
This is a woman’s silk (georgette
Georgette: (French: Georgette de la Plante – a famous dressmaker), a lightweight, sheer fabric with a dull crimpled surface. It is usually made of silk but can also be made of synthetic fibers. Georgette was first introduced in the early 20th century and was named after the French dressmaker. ) and lurex woven front open robe (sayah
Ṣāyah: (Classical Persian: sāya – shadow; Synonyms: zubūn, qumbāz, gombaz
Gombaz: (Arabic; Synonyms: sayah, zubūn, qumbāz, yalak
Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Ṣāyah: (Classical Persian: sāya – shadow; Synonyms: zubūn, qumbāz, gombaz
Gombaz: (Arabic; Synonyms: sayah, zubūn, qumbāz, yalak
Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics.
It has a thick western-style collar spanning half the neck only and displays short slits on the sides. The piece has no fastening or lining and is completely machine-stitched. The design of the piece features large floral and foliage patterns along a wide branch meandering all over the field of the piece.
The use of kalabdun
Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics. Ṣāyah: (Classical Persian: sāya – shadow; Synonyms: zubūn, qumbāz, gombaz
Gombaz: (Arabic; Synonyms: sayah, zubūn, qumbāz, yalak
Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Yalak: (Ottoman Turkic: yelek – a hip or waist length vest; from Old Anatolian: yélek – Vest), a short-sleeved waistcoat traditionally worn by men and a long outer robe or tight jacket either sleeveless or short sleeved with a tight bodice traditionally worn by women in the Ottoman controlled Levant. Kalabdūn: (Hindustani: kalabattu / kalabattun gold or silver threads; or Dravidian and Sanskrit: pattu or patt – a kind of fine fibre or silk; or Sanskrit: kalavatu – fine material), the gold wire used in embroidery and other embellishments on textiles and fabrics. Hashmī: (Arabic: Hashim (House of) – an Arab royal family from the Banu Hashim clan of the Quraysh tribe), a type of elaborately decorated women’s traditional garment or thawb from Iraq that was named after the royal family that ruled Iraq until the mid 20th century.
Iraq, located south of Türkiye, was a significant Arab territory under the rule of the Ottoman Empire for approximately four centuries. In the northern province of Mosul, which was then under Ottoman rule, the prevalent modes of dress were heavily influenced by the fashion trends originating in Istanbul.
By the 1930s, the elites of Baghdad, as well as other urban Christian and Jewish communities, had fully transitioned from Ottoman attire to European-style clothing. However, among the urban Muslim elites and middle classes, the shift towards Westernised clothing occurred more gradually, the vestiges of which are seen through pieces like these, which are essentially from a decade or two later.
Links
Charuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.
from Northern Iraq Has Arrived at the TRC!, www.trc-leiden.nl/trc/index.php/en/blog/1378-the-charugaCharuga: (Possibly Kurdish), a mantle-like embroidered women’s traditional garment from the Qaraqosh region in northern Iraq, traditionally fastened at the shoulder. Historically worn by field workers, it helped conceal dust and dirt, making them less visible during labour, it is a festive garment worn sparingly during festivals and other special occasions.
-from-northern-iraq-has-arrvied-at-the-trc. Accessed 29 Jan. 2024.